This success is due in great part to the eye-catching design and cinematic action sequences created by Powerhouse, a group which had already established its bona fides for Netflix with its production of Castlevania in 2017, now beginning its fourth season. Recently, the show has been picked up for a second season by Netflix, and the Parlapanides brothers have said they have five seasons outlined (Katz 2020). The show has been a success, landing on Netflix’s global and US top 10 lists for its first week on the platform and earning a score of 100% on the Rotten Tomatoes’ Tomatometer (Francisco 2020). We watch as the brothers, used as pawns by Zeus and Hera in their own vengeful battle for dominance over each other and over the world, take divergent paths and come to understand fully the influence of the gods on their past and present lives.

His quest is to drive out the demon scourge that has come upon Greece, but it turns out that the leader of that demon scourge, a youth named Seraphim, happens to be his mortal brother from whom he was separated in infancy and who became a demon by ingesting the remains of the vanquished Giants.

This time, the brothers have teamed up with Netflix and Powerhouse Animation Studio to create an animated epic drama series, also set in mythical Greece, which follows the evolution of young Heron, a good-hearted outcast who, upon learning that he is the son of Zeus, steps into his father’s footsteps and becomes a powerful warrior. Blood of Zeus (2020-present) is the brain child of Charley and Vlas Parlapanides, two Greek-American screenwriters best known for their work on the 2011 film Immortals, a live-action fantasy adventure loosely inspired by Greek mythology.

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